A real-time WebGL gold material using Unicorn — reacting to actual lighting simulation and following the cursor as you move. Not a static gradient. A living material. A layout system stripped to its essentials. The artist's work owns the screen. Typography steps back and whispers context — never shouts. A texture framework that's extensible. The same gold base can shift in tone, warmth, and behavior to visually support each exhibited artist — making every exhibition feel like its own world.

Bold, modern typography "L'AUDITORI 2026-2027" shaped as a Venn diagram (Música / You / L'Auditori) — instantly readable and memorable. A vibrant pink background with the yellow brand color at the center — a contrast that shouts "new," not "just another season". A clear emotional message ("legacy & discovery") brought straight onto the first screen instead of buried in a subpage. The format works as a flexible template: the color pair (pink/yellow, or any other from the brand palette) can shift depending on the event — a festival, a premiere, a concert under the stars — while keeping the same structure and recognizability

When the interface reacts to your attention. I designed this concept as an exploration of how motion and typography can work together to guide attention instead of scattering it. Attention is light. Wherever you look, meaning appears.

This is a fragment of a "digital museum" concept — an archive of unknown artifacts, where every object reacts to the viewer's presence. The light around the cursor doesn't just illuminate — it "recognizes" the statue, gradually revealing metadata: origin, material, scan status. The hard part wasn't making the effect look good. The hard part was making it feel like part of the system's logic, not a decorative trick.